Lucky Penny Productions
"The Little Theatre Company That Could"
Sept 5-21, 2025
The barrier-breaking musical "La Cage aux Folles" opened on Broadway in 1983 and went on to win six Tony Awards, including Best Musical, Best Score, and Best Book. The show tells the story of Georges, the manager of a Saint-Tropez nightclub featuring drag shows, and Albin, his romantic partner and star attraction. Madness ensues when George's son brings home his fiancée and her ultra-conservative parents to meet them. This musical was based on the original play from 1973, which was also the basis for the film "The Birdcage" in 1996.
Oct 17-Nov 2, 2025
It's Halloween, 1982, and something's brewing in the hills at the top of Partrick Road. When a skeptic comes to Napa Valley to find out the truth about the legendary Rebobs, he’s drawn into the local mystery – and when bodies start piling up it seems like the Rebobs are out for revenge. Along the way the skeptical researcher meets a nature girl, a weird trio, a wise yet creepy old man, and a guy who definitely peaked in high school. Who is the villain here? Are the Rebobs out for blood? Or are they being framed? "Revenge of the Rebobs!" is the latest collaboration between Composer/Lyricist Rob Broadhurst and Writer Barry Martin who created “The Real Housewives of Napa Valley,” and “A Napa Valley Christmas Carol.”
Dec 5-Dec 21, 2025
The Herdmans are the worst kids in the history of the world–so when they crash Sunday school and demand parts in the Christmas pageant, the whole town panics. There’s not supposed to be cigar-smoking in Bethlehem, and while these kids have never even heard the Christmas story, they definitely have rewrites. Soon, everyone is calling for reluctant director Grace Bradley to cancel the whole thing. It’s up to the Bradleys and the Reverend to help their community see the Christmas story and the Herdman kids through new eyes in this buoyant musical adaptation of the funny and touching holiday classic.
Jan 30-Feb 15, 2026
In 1932 there was a meeting between Alice Liddell Hargreaves, the inspiration for “Alice's Adventures in Wonderland,” and Peter Llewellyn Davies, one of the boys who inspired “Peter Pan.” During their brief encounter, their sometimes-troubled real lives are revealed, as they struggle to be distinct from the fantasy characters they inspired. What motivated authors Lewis Carroll and J.M. Barrie to become so deeply involved in the lives of the real Peter and Alice in the first place? The Guardian called it a tale of “the agony and the ecstasy of inherited fame.”
Mar 6-22, 2026
"Godspell" presents the timeless parables of Jesus in an entertaining way that has captivated audiences from its original production in 1971 through to today. Using an eclectic blend of theatrical styles and songs the messages of Jesus dance across the stage. "Godspell" was the first major musical theatre offering from three-time Grammy and Academy Award winner Stephen Schwartz who went on to create Wicked, Pippin, Children of Eden and more. Led by the international hit, "Day by Day," "Godspell" features a parade of beloved songs, including "Prepare Ye the Way of the Lord," "Learn Your Lessons Well," "All for the Best," "All Good Gifts," "Turn Back, O Man" and "By My Side."
April 10-26, 2026
Vulgar, self-centered junkman Harry Brock has come to Washington to make crooked deals with government big-wigs. He has brought with him the charming but dumb ex-chorus girl Billie, whose lack of social graces embarrasses even Harry. Harry hires a young, idealistic magazine reporter to educate Billie. When Billie learns what kind of man Harry really is she rebels against his bullying and precipitates a crisis that threatens to bring down his corrupt enterprise.
May 29-June 14, 2026
When a die-hard theatre fan plays his favorite cast album, the characters come to life in his New York apartment in this hilarious musical farce. In the show-within-the-show, we meet two lovers on the eve of their wedding, a bumbling best man, a desperate theatre producer, a not-so-bright hostess, two gangsters posing as pastry chefs, a misguided Don Juan and an intoxicated chaperone – all the ingredients for a loving send-up of the Golden Age musical. “The Drowsy Chaperone” debuted in 1998 in Toronto and opened on Broadway in 2006 where it went in to win five Tony Awards.
The annual look ahead to the Oscars has a new home at Lucky Penny! Join us for a lively discussion about the movies of 2025 and a special focus on the 10 Best Picture nominees.Read More
LUCKY PENNY PRODUCTIONS AUDITION INFORMATION
Updated February 3, 2026
Lucky Penny Productions is seeking a diverse group of non-AEA performers for our 2026-2027 season of dramas and musicals. Virtual General Audition submissions will be accepted for the following productions: Freaky Friday, The Musical (September 2026), It’s a Wonderful Life, A Live Radio Play (December 2026), Honky Tonk Angels (January/February 2027), Our Town (March 2027), Come From Away (April/May 2027), and Matilda, The Musical (May/June 27). Callbacks for specific shows will be announced at various times in the next few months. Please see breakdowns below for specific show casting information.
WHEN: Please submit a virtual audition no later than Friday, March 20th. Callbacks for specific shows will follow beginning in April.
WHAT TO SUBMIT: Please submit the following via our AIRTABLE link below: · Your current Headshot or a recent photo of yourself · Your current Resume · A video link (with access given to luckypennycasting@gmail.com if password protected) of either one song and one monologue, two songs or two monologues which showcase your talents. No a capella singing. If you have performed with Lucky Penny Productions before, you are not required to submit an audition video. We do however ask that you fill out an Airtable form and upload a current headshot and resume for our files. SUBMIT YOUR INFORMATION AND AUDITION HERE: https://airtable.com/appVFUu3AuSMV1xRn/shrbSfhpHEFeIusFr
“FREAKY FRIDAY, THE MUSICAL”
Book By Bridget Carpenter, Music by Tom Kitt, Lyrics by Brian Yorkey Based on the Novel Freaky Friday by Mary Rodgers and the Disney films.
Stage Direction and Choreography by Staci Arriaga
Music Direction by Craig Burdette
Production Dates: September 11 – 27, 2026
When an overworked mother and her teenage daughter magically swap bodies, they have just one day to put things right again. Freaky Friday, a new musical based on the celebrated novel by Mary Rodgers and the hit Disney films, is a heartfelt, comedic, and unexpectedly emotional update on an American classic. By spending a day in each other's shoes, Katherine and Ellie come to appreciate one another's struggles, learn self-acceptance, and realize the immeasurable love and mutual respect that bond a mother and daughter. Rehearsals will begin approx on August 9, 2026. Typical rehearsal schedule is Mon-Thurs evenings and Sat and Sun during the day when needed.
CHARACTER BREAKDOWN: The roles of Katherine Blake and Torrey have been cast. All other roles available. ELLIE BLAKE. Female-presenting. To play 16 years old. Mezzo soprano/Alto. High school teen, smart, funny, and messy. To play Katherine in Ellie’s body, so must be able to act like a proper, responsible adult. Body language and dialog inflection are important.
FLETCHER BLAKE. Male-presenting. To play 10 years old. TenorEllie’s brother; eccentric and naïve; he is obsessed with his puppets, especially ANGRY BOB, and enraged purple hippo, and CASPIAN, a proper British Starfish
MIKE RILEY. Male-presenting. 40’s-50’s. Tenor/Baritone.Katherine’s fiancée; confident, charming, kind.
ADAM. Male-presenting. To play 16-17 years old. Tenor.The “Listmaster.” A popular, adorably cool high school student and Ellie's crush, known for organizing the school's scavenger hunt.
SAVANNAH. Female-presenting. To play late-teen. Mezzo/Soprano with Strong Belt.The “Queen Bee” and Ellie’s main rival at school. Brilliant, aggressive, and competitive.
GRETCHEN. Female-presenting. To play late-teen. Soprano/Mezzo Soprano/Alto.Ellie’s best friend; intense, emotional, lacks confidence, self-described nerd.
HANNAH. Female-presenting. To play late-teen. Soprano/Mezzo Soprano/Alto.Ellie’s best friend; hacker-geek, nerdy and shy but fiercely loyal.
PARKER. Male-presenting. To play late-teen. Tenor/Baritone.Ellie’s average, completely normal friend. A good follower and comfortable in his skin.
WELLS. Male-presenting. To play late-teens. Tenor/Baritone.Ellie’s friend; dorky but not meek.
LAUREL. Female-presenting. To play late-teens. Soprano/Mezzo Soprano/Alto.Teen, unimpressed and hard to wow.
MALE ENSMBLE TRACK #1. To play 40’s-60’s. Baritone.Versatile actor. Roles include Grandpa Gordon (Katherine’s grumpy father), Mr. Blumen (cynical Biology teacher), Senor O’Brien (pugnacious Spanish teacher), Ensemble.
MALE ENSEMBLE TRACK #2. To play 30’s-50’s. Baritone/Bass.Versatile actor. Roles include Fish Vendor, Dr. Ehrin (school counselor), Pastor Bruno (cheerful Pastor), Ensemble.
MALE ENSEMBLE TRACK #3. To play 30’s-50’s. Tenor/Baritone.Versatile actor. Roles include Louis (magazine photographer), Officer Sitz (officer who never received sensitivity training), Ensemble.
FEMALE ENSEMBLE TRACK #1. To play 30’s-50’s. Mezzo/SopranoVersatile actor. Roles include Mrs. Luckenbill (English teacher), Officer Kowalski (officer who never received sensitivity training), Ensemble.
FEMALE ENSEMBLE TRACK #2. To play 50’s-70’s. Singing not necessary but a plus.Versatile actor. Roles include Grandma Helene (Ketherine’s opinionated mother), Mrs. Time (eccentric antique shop owner), Ensemble.
FEMALE ENSEMBLE TRACK #3. To play 30’s-50’s. Mezzo.Versatile actor. Roles include Danielle (magazine journalist), Ms. Myers (intense gym teacher) , Ensemble.
“IT’S A WONDERFUL LIFE: A LIVE RADIO PLAY”
Written by Joe Landry
Stage Direction by Taylor Bartolucci
Production Dates: December 4 – 20, 2026
"It’s a Wonderful Life: A Live Radio Play" is based on the classic holiday movie with a clever twist thrown in: the story is staged as a live radio broadcast. Five actors portray numerous characters, and sound effects are done live through Foley artists. This classic holiday story is about the life of George Bailey, a man who has given up his dreams to help others, and whose imminent suicide on Christmas Eve brings about the intervention of his guardian angel, Clarence Oddbody. Clarence shows George all the lives he has touched, and how different life in his community of Bedford Falls would be if he had never been born. George comes to have a change of heart and understand the true spirit of the holidays.
Rehearsals will begin approx. on November 1, 2026. Typical rehearsal schedule is Mon-Thurs evenings and Sat and Sun during the day when needed.
CHARACTER BREAKDOWN: All Roles Available.
JAKE LAURENTS. Male-presenting. Plays 20s-30s. Radio actor who portrays George Bailey though life from young to middle age. Strong actor capable of carrying the emotional weight of the story.
FREDDIE FILMORE. Male-presenting. Plays 30s-50s.WBFR Announcer and Radio Personality. Versatile voice actor who plays: Joseph - head of the angels; kind, benevolent, boss, head, wise, experienced, Mr. Gower - pharmacist, loving, mourning, angry, kind, Henry Potter - greedy, mean, selfish, plotting, lonely, miserable, Uncle Billy Bailey - gentle, quirky, odd, scatterbrained, loyal Ernie - friend, cabdriver, good hearted Pete Bailey (child) - child, adoring, scared Mr. Bailey - George’s father, strong, teaching, kind Old Man Collins - An Old Man who interrupts Mary and George on their date Giuseppe Martini - bartender, owner, citizen, loyal, ItalianNick - bartender, brisk, loyal Bridge keeper - worker, spooked Multiple other ensemble characters
HARRY “JAZZBO” HEYWOOD. Male-presenting. Plays 30s to 40s.Versatile radio actor who portrays:Harry Bailey/Young Harry - brother, friend, patriot, love Bert the Cop - friend, cop, good-hearted Clarence Oddbody - Angel, good, kind, understanding, struggling, quirky Sam Wainwright - successful, jovial, courting, friend Tommy Bailey (child) - child, adoring, scared. Multiple other ensemble characters
SALLY APPLEWHITE. Female-presenting. Plays 20s to 30s.A radio actress who portrays Mary Bailey throughout numerous stages of her life.
LANA SHERWOOD. Female-presenting. Plays 30s to 40s.A radio actress who portrays multiple characters including:Violet Bick/Young Violet - dreamer, aching, beautiful, seductress, vulnerable, kind, Janie Bailey (child) - child, adoring, scared. Zuzu Bailey - child, adoring, sick, sweet. Ruth Dakin Bailey - newlywed, loving, accepting. Mrs. Hatch - motherly, pushy. Rose Bailey - mother, nurturing, intuitive, kind. Multiple other ensemble characters.
“HONKY TONK ANGELS”By Ted Swindley
Stage Direction by Taylor Bartolucci
Music Direction by TBD -
Choreography by Alex Gomez
Production Dates: January 29 - February 14, 2027
In this rollicking country jukebox musical, join down-home ladies Angela, Darlene and Sue Ellen as they make the decision to follow their dreams of country music stardom all the way to Nashville. On the way there, they‘ll sing through a medley of some of the most famous, crowd-pleasing country standards, and form a friendship worthy of the name Honky Tonk Angels. Get your dancin‘ shoes on, because these three girls are going on an adventure full of joy, laughter and music to turn any show into a good old-fashioned hoedown.
Some music rehearsals may be held in December with main rehearsals beginning approx on January 3, 2027. Typical rehearsal schedule is Mon-Thurs evenings and Sat and Sun during the day when needed.
CHARACTER BREAKDOWN: All roles available.
SUE ELLEN. Female-presenting. Plays 30s. Alto/Mezzo Belt.A Los Angeles career woman. She is a “citified” country girl. Smart, sexy and brassy. Solid dancer (including basic tap) – Roller skating and baton twirling a plus. Solid with harmony singing and has astute comedic timing.
DARLENE. Female-presenting. Plays 20s. Country Soprano with belt. A young woman from the Deep South in her late teens to early twenties. She is pretty, sweet, and simple. She plays simple guitar. Basic tap/clogging. Moves very well. Solid with harmony singing and has astute comedic timing.
ANGELA. Female-presenting. Plays mid 30s-40s. Mezzo with power.A Texas mother and housewife in her late 30s to mid 40s. She has a great sense of humor and a fiercely independent streak. She identifies with “Roseanne,” an earth mother comedienne. Moves very well. Solid with harmony singing and has astute comedic timing.
“OUR TOWN”
Written by Thornton Wilder
Stage Direction by Jenny Shully
Production Dates: March 5 – 21, 2027
Described by Edward Albee as “…the greatest American play ever written,” the story follows the small town of Grover’s Corners through three acts: “Daily Life,” “Love and Marriage,” and “Death and Eternity.” Narrated by a stage manager and performed with minimal props and sets, the audience follows the Webb and Gibbs families as their children fall in love, marry, and eventually - in one of the most famous scenes in American theatre - die. Following the daily lives of the Gibbs and Webb families, as well as the other inhabitants of Grover’s Corners, Wilder illustrates the importance of the universality of the simple, yet meaningful lives of all people in the world in order to demonstrate the value of appreciating life. The play won the 1938 Pulitzer Prize. Rehearsals will begin approx. on January 31, 2027. Typical rehearsal schedule is Mon-Thurs evenings and Sat and Sun during the day when needed.
CHARACTER BREAKDOWN: All Roles Available.
STAGE MANAGER. Male or Female-presenting. 40s.The host, story teller, and narrator of the play. Straight-forward, benevolent, engaging & grounded. Has a good sense of humor. The Stage Manager cues the other characters, interrupting their scenes with information and opinions. (S)he occasionally assumes other roles, such as an old woman, a druggist, and a minister. (S)he interacts with both the audience and the play’s characters.
GEORGE GIBBS. Male-presenting. 20’s. George is 16 years old in Act 1 and ages through the play to late 20’s or early 30’s. Dr. and Mrs. Gibbs’s son & Rebecca’s older brother. A naive, earnest all-American boy. A high school baseball star pitcher. He is eager, energetic, upstanding and well-meaning. In love with Emily.
EMILY WEBB. Female-presenting. 20’s. Emily is 16 years old in Act I and ages through the play to late 20’s or early 30’s. She is the Webb’s daughter and Wally’s older sister. Emily is George’s schoolmate and next-door neighbor. She is lively, honest, intelligent, curious, articulate & a conscientious daughter. Despite her anxious nature, she falls in love with George Gibbs.
DR. GIBBS. Male-presenting. 40’s-50’s. George’s father and the town doctor. Hardworking and warm, he’s a family man and a romantic, as well a Civil War expert. He and his family are neighbors to the Webbs.
MRS. JULIA HERSEY GIBBS. Female-presenting. 40’s-50’s. George’s mother and Dr. Gibbs’s wife. She is loving, pleasant, practical and down to earth, yet has always dreamed of visiting Paris. She finds joy in her marriage and hopes her son finds the same.
MR. WEBB. Male-presenting. 40’s-50’s. Emily’s father and the publisher and editor of the Grover’s Corners Sentinel. By the-book, an intellectual rather than emotional man, but still warm and has a good sense of humor.
MRS. WEBB. Female-presenting. 40’s-50’s. Emily’s mother and Mr. Webb’s wife. A maternal, serious, energetic woman who works hard caring for her family. Good-hearted, but no-nonsense.
MRS. SOAMES. Female-presenting. 40’s +. A chatty, sentimental, gossipy woman who sings in the choir along with Mrs. Webb and Mrs. Gibbs. The town busy body.
SIMON STIMSON. Male-presenting. 30’s-40’s. The local church choirmaster, whose alcoholism and undisclosed “troubles” have been the subject of gossip in Grover’s Corners for quite some time. He is a tortured soul.
REBECCA GIBBS. Female-presenting. Around 11 years old. George’s younger sister. Lively and smart as a whip. Excitable contrarian.
WALLY WEBB. Male-presenting. Around 11 years old. Emily’s younger brother. Eager and energetic. A lovable boy scout.
HOWIE NEWSOME. Male-presenting. 40’s-60’s. Grover’s Corners milkman. Simple, friendly, hard working. Has a good-natured small-town sensibility. Delivers news as well as milk. May sing in choir.
JOE CROWELL, JR. Male-presenting. Around 11 years old. Gover’s Corners’ paperboy. Curious, polite, smart, respectful young boy.
SI CROWELL. Male-presenting. Around 11 years old. Joe’s younger brother, also a paperboy. Si assumes his brother’s former job as the years pass. He is eager to prove his ability. Also curious, polite, smart, respectful, like his brother.
PROFESSOR WILLARD. Male or female-presenting. 40’s +. A professor at the State University and rural expert in local history. Knowledgeable and warm, s/he is gregarious yet serious about their work and loves their analyses. A bit of a know-it-all, but in the nicest way. May sing in choir.
CONSTABLE WARREN. Male-presenting. 40’s +. Longtime Grover’s Corners policeman. Helpful, protective and caring. He keeps a watchful eye over the community and the very small level of crime. He knows everything there is to know about the town’s citizens. May sing in the choir.
SAM CRAIG. Male or female-presenting. 20’s-30’s. Emily Webb’s cousin, who has left Grover’s Corners and now lives in Buffalo. Returns to mourn Emily. Though originally from the town, Sam has the air of an outsider. Curious and rather matter-of-fact. May sing in the choir.
JOE STODDARD. Male-presenting. 40’s-50’s. Govers Corners’ undertaker. Gentle and not unsympathetic, but still rather business-like. May sing in the choir.
VARIOUS OTHER ENSEMBLE ROLES POSSIBLE.
“COME FROM AWAY”
Book, Music, and Lyrics by Irene Sankoff and David HeinStage
Direction by Daren A.C. Carollo
Music Direction by TBD
Choreography by Staci Arriaga Production Dates: April 16 - May 2, 2027
In the hours following September 11, 2001, as planes were grounded and uncertainty swept the globe, 7,000 stranded air travelers landed in the remote town of Gander, Newfoundland. With no time to prepare, the people of Gander opened their homes, their hearts, and their lives to these complete strangers. This Tony and Olivier Award–winning musical, based on that astonishing true story, unfolds through a propulsive, folk-inspired score and a cast of unforgettable real-life characters. A heart-forward, joyful celebration of resilience, Come From Away reminds audiences of all ages of the power of community in the darkest of times.
Rehearsals will begin approx on March 14, 2027. Typical rehearsal schedule is Mon-Thurs evenings and Sat and Sun during the day when needed.
CHARACTER BREAKDOWN: All roles available.
DIANE & OTHERS. Female-identifying. 50’s – 60’s. Contemporary soprano or mezzo with strong mix up to a D.Diane is a traditional divorcee from Texas, who is terrified that her son may have been flying at the time of the attacks. When she finds out he is safe, she’s given a new lease on life and discovers a wilder, more carefree side of herself.
HANNAH & OTHERS. Female-identifying. 30’s–50’s. Contemporary soprano with strong high mix up to E.Mother of a firefighter in Manhattan, Hannah waits for news about her son and is comforted by Beulah.
JANICE & OTHERS. Female-identifying. 20’s. Contemporary soprano with strong belt and mix up to E.Eager new local TV reporter, Janice is thrown into the deep end on her first day. Initially naive about the world, Janice must face the pain and confusion around her.
BEULAH & OTHERS. Female-identifying. 40’s–60’s. Mezzo w\ strong belt up to B.Head of the Gander Legion, with a firefighter son, she befriends Hannah and walks to church and prays with her. Quick-witted and open hearted, Beulah loves to share a joke.
BONNIE & OTHERS. Female-identifying. 30’s–50’s. Mezzo w\ strong belt up to B.A no–nonsense mother of 3, Bonnie is the head of the Gander area SPCA. When she discovers animals are trapped on the planes, she stops at nothing to ensure their safety.
BEVERLY & OTHERS. Female-identifying. 40’s–50’s. Soprano belter with strong high mix up to C#.An American Airlines pilot, Beverly has always loved flying, but her world is changed when she hears about coworkers who were killed in the attacks, and when she is confronted by passengers who refuse to fly again.
OZ & OTHERS. Male-identifying. 30’s–50’s. High Tenor up to G.The quirky constable in the two–person Gander police force. When the town’s population suddenly doubles, Oz helps out in unexpected ways.
KEVIN T. & OTHERS. Male-identifying. 30’s–40’s. High Tenor up to G.The head of an environmental energy company in Los Angeles, Kevin was on vacation with his boyfriend (and secretary, also named Kevin), when they are stranded in Gander. Inspired by the town’s generosity, Kevin creates the ‘Pay It Forward Foundation.’
KEVIN J. & OTHERS. Male-identifying. 30’s–40’s. Tenor or Baritone.Kevin’s boyfriend and secretary. Sarcastic and unhappy, he wants to leave and get back to the U.S. as soon as possible.
BOB & OTHERS. Male-identifying. 20’s–40’s. Baritone.A hardened New Yorker, Bob is suspicious of where he’s landed, fearing that it’s World War 3, that someone is going to shoot him and steal his wallet – but instead he ends up losing his New York jadedness.
CLAUDE & OTHERS. Male-identifying. 40’s–60’s. Baritenor/Tenor up to G.The gregarious and well-liked Mayor of Gander, Newfoundland, Claude loves his work, the townspeople, and his daily traditions, but he’s never had to deal with a crisis of this magnitude.
NICK & OTHERS. Male-identifying. 50’s–60’s. Baritone or Baritenor up to EAn English oil engineer who is focused on his work, Nick’s life is turned upside down when he falls for another passenger, Diane.
“MATILDA, THE MUSICAL”
Music and Lyrics by Tim Minchin, Book by Dennis Kelly, Based on the novel by Roald Dahl
Stage Direction by Taylor Bartolucci Music Direction by TBD Choreography by Alex Gomez roduction Dates: May 21 - June 6, 2027
Matilda is the story of an extraordinary girl who dares to take a stand and change her own destiny. Inspired by the genius of Roald Dahl, Matilda is a Tony Award–winning hit from the Royal Shakespeare Company that celebrates the power of imagination, the anarchy of childhood, and the inspiring story of a brilliant little girl with extraordinary gifts. With a witty book by Dennis Kelly and unforgettable songs by Tim Minchin, Matilda is packed with high-energy dance numbers, catchy tunes, and plenty of girl-power spirit. Audiences of all ages will be delighted by this joyous tale of courage, cleverness, and the magic of rewriting your own story.
Rehearsals will begin approx on April 18, 2027. Typical rehearsal schedule is Mon-Thurs evenings and Sat and Sun during the day when needed.
CHARACTER BREAKDOWN: All roles available. Please note: The ages listed in the description are the characters’ ages, not necessarily the actors’ age. They serve as a range but are not restrictive in casting choices.
MATILDA WORMWOOD. Female-presenting. Age Range: 8-11. Vocal range top: D5 Vocal range bottom: A3. An imaginative girl who is clever and wise far beyond her years. She has a thirst for learning that cannot be quenched. Likable and charismatic, not annoying or pretentious. Honest and unassuming, but with a prankster streak and a strong sense of justice. Must be a very strong singer and actress, equally. Strong dancing skills preferred but not required.
MISS AGATHA TRUNCHBULL. Male to play Female. 35-55.Vocal range top: G4 Vocal range bottom: A2. The tyrannical headmistress at Matilda’s school who despises children. Male in female clothing/makeup/hair, or female. A cruel and sadistic person, but not a brute or brash - rather, sly and conniving, cunning and slinky. Above all, must be a strong actor with a good sense of physicality and characterization. Strong singer and dancer preferred.
MISS JENNIFER HONEY. Female-presenting. 20’s-40’s.Vocal range top: D5 Vocal range bottom: F3 - Matilda's kindhearted teacher. She is tired of living in fear under Miss Trunchbull. Sweet, honest, caring, and intelligent, Miss Honey is timid but willing to become brave and stand up to bullies in order to protect her students. Must be a lovely, strong singer and a strong enough actor to make the role truly compelling.
MR. WORMWOOD. Male-presenting. 30’s-40’s.Vocal range top: A4 Vocal range bottom: D3. Matilda's uncaring father. A slimy, greedy used-car salesman, unintentionally hilarious. Must be a VERY strong actor and comedian; improv and dance skills preferred. Must also be a relatively strong singer.
MRS. WORMWOOD. Female-presenting. 30’s-40’s. Vocal range top: F5 Vocal range bottom: A3. Matilda's self-absorbed, negligent mother and an amateur ballroom. Must be a VERY strong comedic/character actress, dancer, and singer able to carry off a sizable comedic role.
BRUCE. Male-presenting. Age range: 7-14.Vocal range top: E5 Vocal range bottom: C4. Matilda's classmate. He is subject to punishment by Miss Trunchbull. Bruce is a genuine, kind boy with a fondness for sweets; his spirit is broken by the Trunchbull but he bounces back stronger than ever. Must be a very strong actor and singer with monologues, scenes, and solos. Strong dance skills preferred.
LAVENDER. Female-presenting. Age Range: 7-11.Matilda's classmate and best friend. Lavender is squeaky and super-adorable, and what she lacks in intelligence she makes up for in enthusiasm and friendliness. Must be a very strong actor and singer with monologues, featured scenes, and solos throughout. Strong dance skills are preferred.
TOMMY, ERIC, AND NIGEL. Male-presenting. Ages: 7-14.Matilda’s boy classmates. Each has important lines and solos, and some have featured dance moments as well. Strong singers, actors, and dancers are required.
AMANDA, ALICE, AND HORTENSIA. Female-presenting. Ages: 7-14. Matilda’s girl classmates. Each has important lines and solos, and some have featured dance moments as well. Strong singers, actors, and dancers are required.
MICHAEL WORMWOOD. Male-presenting. Age Range: 10-15. Vocal range top: E5 Vocal range bottom: C4. Matilda’s slightly older brother. He is a deadpan comedic character, with various lines and “bits” throughout the show. Must be a strong comedic actor. Will also be a “Big Kid”.
ENSEMBLE STUDENTS. Male and female-presenting. School Aged.Diverse races and ethnicities encouraged. Will round out our school. Strong dancers required. Not required to be a strong singers.
DOCTOR. Male-presenting. 30’s-50’s.Vocal range top: A4. Vocal range bottom: C3 The doctor who delivers Matilda.
MRS. PHELPS. Female-presenting. 30’s-60’s.Singing not required.A kindly librarian, Matilda’s friend. No solos or dance; many lines.
THE ESCAPOLOGIST. Male-presenting. 20’s-30’s.Vocal range top: E4. Vocal range bottom: C3A character in Matilda’s story.
THE ACROBAT. Female-presenting. 20’s-30’s.Vocal range top: A4. Vocal range bottom: D4A character in Matilda’s story.
RUDOLPHO. Male-presenting. 20’s-40’s.Vocal range bottom: D#3Mrs. Wormwood’s dancing partner. Vocal range top: A4.
ENSEMBLE ADULTS. Male and female-presenting. Various ages.To play the Mums and Dads in the opening number Miracle. Will also double as various adult speaking and singing roles throughout the show. Strong singers, actors and dancers. Roles include: Competitive Dancers: Mrs. Wormwood and Rudolpho’s dancing competition, Judge: The judge at Mrs. Wormwood and Rudolpho’s dancing tournament, Cook: The cook at Miss Trunchbull’s school, Mechanic: A mechanic who works for Mr. Wormwood at the used car lot, Sergei: A Russian mob boss who Mr. Wormwood rips off, Henchmen/Henchwomen: Sergei’s Russian associates who threaten the Wormoods.
Performers of all ages, ethnicities, and genders are encouraged to submit. For any additional questions please email luckypennycasting@gmail.com.